Review: The Assassin’s Blade (Throne of Glass #0.1 – 0.5) by Sarah J. Maas

Assassin's Blade

 

Rating: 5/5
Audience: YA/New Adult, some language, loveish scenes, violence/torture
Length: 448 pages
Author: Sarah J. Maas
Publisher: Bloomsbury
Release Date: March 4th, 2014
Image & Other Reviews on: Goodreads

BOOK SUMMARY:

Celaena Sardothien is Adarlan’s most feared assassin. As part of the Assassin’s Guild, her allegiance is to her master, Arobynn Hamel, yet Celaena listens to no one and trusts only her fellow killer-for-hire, Sam. In these action-packed novellas – together in one edition for the first time – Celaena embarks on five daring missions. They take her from remote islands to hostile deserts, where she fights to liberate slaves and seeks to avenge the tyrannous. But she is acting against Arobynn’s orders and could suffer an unimaginable punishment for such treachery. Will Celaena ever be truly free? Explore the dark underworld of this kick-ass heroine to find out.

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Note: Review may contain spoilers. I have read this series 3 or 4 times. I have no chill over this series. This is a re-read I’m doing specifically before KoA comes out in October.

Second note: I firmly believe while yes they’re similarities between her two series, they are SO DIFFERENT. Needed to throw this out there after seeing a lot of reviews claiming they were too alike. I think some phrasing, character type, etc. is similar, but overall the stories are unique.

SAM. SAM. SAM. SAM.

Like I’ve just noted. I LOVE this series. I do. And every time I get something new from it and I still feel alllllll of the emotions even when I know exactly what’s about to happen.

This is what makes a great series to me.

These novellas are so crucial to the whole series as a whole! While most of it doesn’t play out til EoS (Empire of Storms) the character details are important.

Each novella is a good length and keeps me interested. My heart shatters over Sam, EVERY DANG TIME. It was such a sweet, young love. LIFE ISN’T FAIR. *cries into pillow* who does that to a human?!!

I enjoy that each story opens up a nugget that makes Calaena…Calaena. She’s a complex person with so many levels and such depth to her soul. But what’s even better is SJM has the ability to add that to other main/side characters too. That’s what brings all of the emotion into it for me. I can’t help but care.

Review: A Discovery of Witches (All Souls Trilogy #1) by Deborah Harkness

ADOW

Rating: ☆☆☆☆ [truthfully some unknown number between 3 & 4]
Audience: Adult, a tiny bit of language, a few love scenes, lots of kisses & make-outs, some violence
Length: 579 pages
Author: Deborah Harkness
Publisher: Viking Penguin
Release Date: February 2011
Image & Other Reviews on: Goodreads

BOOK SUMMARY:

Deep in the stacks of Oxford’s Bodleian Library, young scholar Diana Bishop unwittingly calls up a bewitched alchemical manuscript in the course of her research. Descended from an old and distinguished line of witches, Diana wants nothing to do with sorcery; so after a furtive glance and a few notes, she banishes the book to the stacks. But her discovery sets a fantastical underworld stirring, and a horde of daemons, witches, and vampires soon descends upon the library. Diana has stumbled upon a coveted treasure lost for centuries-and she is the only creature who can break its spell.

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I AM SO AT ODDS WITH THIS BOOK.

Okay y’all. The reason my star rating is “somewhere between 3 & 4” is because goodness gracious, I can’t decide what I feel about this book! Stay with me here. My thoughts may get scattered.

I definitely give points to the concept. I think it’s cool! It’s a different spin on Vampires, Witches and Daemons. Also, it spans such big time periods! I actually like that Matthew is 1500+ years old because there is so much to his background.

My issue stems from the fact that, generally speaking, I hate vampire books. I read (and enjoyed) the Twilight series, but after that I felt done. Since then, if I realize a book is about vampires it usually ends up on my DNF shelf with no remorse.

Matthew being a vampire didn’t ruin this book for me, but his dynamic occasionally bugged me. He felt too possessive, demanding, stubborn, stealthy, etc. Which then made Diana appear way too meek, submissive, and just an overall sense of: STAND UP FOR YOURSELF WOMAN.

While I felt their love story had truly good moments, the action of the book never heightened enough. I kept asking myself, was that all? Maybe that’s why I’m at odds. I kept reading expecting more, but never got it, yet enjoyed it, but also skimmed it, and this run-on sentence could just keep going. It was too long of a book, with a lot of side stuff that got in the way, so I sped-read through those bits to get to the heart of the novel.

I will pick-up the second book and reconvene here for a determination as to whether the third book is worth my time.

Book leans more towards adult, very very little language. Some kiss/make-out scenes. A few love scenes that are semi-descriptive. A bit of violence.

Review: Being Mortal: Medicine and What Matters in the End by Atul Gawande

Being Mortal

 

Rating: ☆☆☆☆
Audience: Adult, one curse word, no love scenes, or violence
Length: 282 pages
Author: Atul Gawande
Publisher: Metropolitan Books
Release Date: October 7th, 2014
Image & Other Reviews on: Goodreads

 

BOOK SUMMARY:

In Being Mortal, bestselling author Atul Gawande tackles the hardest challenge of his profession: how medicine can not only improve life but also the process of its ending

Medicine has triumphed in modern times, transforming birth, injury, and infectious disease from harrowing to manageable. But in the inevitable condition of aging and death, the goals of medicine seem too frequently to run counter to the interest of the human spirit. Nursing homes, preoccupied with safety, pin patients into railed beds and wheelchairs. Hospitals isolate the dying, checking for vital signs long after the goals of cure have become moot. Doctors, committed to extending life, continue to carry out devastating procedures that in the end extends suffering.

Gawande, a practicing surgeon, addresses his profession’s ultimate limitation, arguing that quality of life is the desired goal for patients and families. Gawande offers examples of freer, more socially fulfilling models for assisting the infirm and dependent elderly, and he explores the varieties of hospice care to demonstrate that a person’s last weeks or months may be rich and dignified.

Full of eye-opening research and riveting storytelling, Being Mortal asserts that medicine can comfort and enhance our experience even to the end, providing not only a good life but also a good end.

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MAKES YOU RECONSIDER.

While personally, death and all qualifying concepts still frighten me to some degree, I enjoyed the truths this book emanated.

Death is a hard conversation, and those right in the line of fire aren’t always getting the best that could be given them. NOT because of horrible doctors or anything to that affect [within regards to this book], just because, all of us are needing to learn how to ask the right questions. There’s so much more in those last few months of life that could be better handled if all of us approached it differently.

This book really opened my eyes to that line of thinking. What trade-offs are you willing to give for maybe a chance at having more time? We all will eventually have someone in our lives (or unfortunately, be this person) that wants to truly understand what’s happening. I feel marginally more prepared to handle these issues in the future. I appreciate Dr. Gawande’s take and how he addressed the topics and his own short-comings.

Hospice, assisted living, and other entities of this sort can be a lot more powerful when programs are appropriately provided and everyone understands the essence of care needed to help patients have the best day, they can at that moment.

A quick, thought-provoking read. One curse word was used. Appropriate for any audience comfortable with confronting the realities of mortality.

 

Review: All the Truth That’s in Me by Julie Berry

All the Truth

 

Rating: ☆☆☆☆
Audience: YA/Adult, no language, discussion of tough topics (rape/whore/abuse), some kisses, no love scenes, some violence
Length: 274 pages
Author: Julie Berry
Publisher: Viking Books
Release Date: September 26th, 2013
Image & Other Reviews on: Goodreads

 

BOOK SUMMARY:

Four years ago, Judith and her best friend disappeared from their small town of Roswell Station. Two years ago, only Judith returned, permanently mutilated, reviled and ignored by those who were once her friends and family.

Unable to speak, Judith lives like a ghost in her own home, silently pouring out her thoughts to the boy who’s owned her heart as long as she can remember—even if he doesn’t know it—her childhood friend, Lucas.

But when Roswell Station is attacked, long-buried secrets come to light, and Judith is forced to choose: continue to live in silence, or recover her voice, even if it means changing her world, and the lives around her, forever.

This startlingly original novel will shock and disturb you; it will fill you with Judith’s passion and longing; and its mysteries will keep you feverishly turning the pages until the very last.

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A GOOD KINDA ODD.

This book was recommended to me and seemed interesting enough so here we are! Definitely an odd, keep you on your toes, not sure where this is going kinda book. I really enjoyed it! And may have finished it in essentially one sitting (baby to take care of and all ha!).

Set in what is perceived to be some type of Colonial period the story is broken up into choppy chapters and a unique POV. Judith speaks to a boy the entire time and she struggles to tell her story.

All I wanted to do was yell at Judith to SPEAK! So many odd things kept happening and the ending was starting to worry me. Berry weaves a creepy tale with characters you kinda hope burn.

While seriously, every single person will aggravate you at one point or another, this book is good! Matters resolved

I love finding interesting and different ways that authors choose to write! It’s a great experience for me because it mixes up the usual.

Some tough topics throughout, more mature audiences would be best suited. No language, some violence. A few kisses, but no love scenes.